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Prologue 4 - Albert I
A Present - Albert - I

I stand absolutely still, nothing moving, not even any air into my dead lungs. The tunnel is quiet, but not silent. I can hear the scurrying of a couple of rats, and the incessant dripping of some liquid, likely water. I peer into the darkness, watching, listening. The two cubs at my side are impatient, but do their best to contain it. Even so, they wriggle in anticipation. For a moment I must admit the temptation to tease - but these two have done nothing to deserve my humour. They are earnest, and have been genuinely helpful in this hunt. Their names, as presented to me, are Stuart and Margaret - though as soon as her sire and lord had departed she referred to herself as Peggy. I almost pity the creature who created her.

I draw breath and speak, very softly. “Remember, your job is to distract and to delay. No heroics. Understood?”

Both nod. Stuart, of my Lord’s line, has a sabre at his side, a legacy of a former life. Peggy has no such military experience, or pretensions. I glance behind, and nod to Ariadne. She returns the gesture, and quickly readies the back-up crew. I know, somewhere, Rupert lurks.

I flex my fingers and draw another breath. “Three paces behind,” I state, and step into the darkness of the tunnel’s throat. The cubs lift their bulky lamps, and I grasp my cosh. Once within the deeper blackness I sharpen my senses - not as much as I might, but enough to show my way. The rats’ footfalls seem loud, and the dripping water tolls out like a church bell over a sleepy village. The tunnel itself goes back maybe forty yards, before the fill blocks it.

Ten paces and there is a new sound, just for a moment. I keep walking with slow deliberate strides. Five more paces in, six.

Another sound, out of place. A shift of gravel, a sound of pressure. I raise my cosh and the two cubs pause. Keeping my cosh raised, I take a stone from my belt pouch, and throw it forward.

Movement.

“Now,” I shout, and the cubs fumble briefly with their lamps. I dampen my vision as the harsh electric light shines towards the back half of the tunnel, and we see it - a moving shape that snarls and cries as it launches itself towards one of the lamps. Peggy’s. In its leap there is a hint of forgotten grace, a memory of something that may once have entranced. I turn, following its arc. Peggy darts to the side as the shape hits her lamp, shattering it, and what was diverting becomes a gibbering wreck. I thwack it with my cosh, the impact jarring my hand and up my arm. There is a scream. Stuart turns his lamp to follow the creature, whilst Peggy starts to shoot the thing with her revolver.

The creature screams again. It clutches at Peggy and she skips backwards. It is all the time I need. I feel my will fill me. I grasp the thing with my other hand, and thrust it to the ground. I hit it again with my cosh, and again.

The thing writhes: struggling and fighting. It is not enough. I lift a little and then ram it to the ground again. “Die,” I snarl at it and as my will fills me, and finally my cosh strikes its skull. There is a cracking sound as its head breaks. It still yells, still lives, but in that moment Stuart and Peggy have come beside me. Stuart hacks his sabre into the thing’s flesh, and then Peggy pierces it with a metal spike. The thing screams again in incoherence, but it is done.

I stand, letting go of my cosh, and wave them aside. I pick up the creature by its legs and hurl it against the tunnel roof. Bones and bricks both break. For a brief moment it almost seems stuck, and then it falls to the ground with a wet thump. Whatever is left lies still.

“Are you two alright?” I ask. There is still one lamp to see by, though already it grows dim as whatever damned thing powers it starts to run out. Stuarts nods, but I can see Peggy has a gash down one side.

“It got me,” she says, sounding remarkably calm for a cub who has nearly had her existence ripped out of her.

“Here!” I call out to those waiting outside. “She needs food,” I say to Ariadne, pointing at Peggy. She nods.

“Please come,” Ariadne says to her, and then taps one of the crew on the shoulder. Peggy glances at me and I nod. Meanwhile Rupert has arrived. “Burn it,” I say to him. A little paraffin and a match is all it takes. Seeing it done I turn and leave the tunnel. Peggy is already looking better.

“Ariadne, Rupert, search the place thoroughly and then fumigate it. I want no sign of this by sunrise. You two,” I point at Peggy and Stuart, “with me. It is time we report this success. You have done well, and I will tell your lordship such. If ever you are sent to London, and I am there, I would welcome your company.”

It is a poisoned offer, of course. Any such offer from me is - but it is still genuine. I like these two. I mean, we have nothing in common, but they have made me smile. But back to London it will be. Not tonight, and probably not tomorrow, but most likely the night after that.
 
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Vampires vs Werewolves. An organised war ala Underworld or just vampires hunting down rapid animals? Given how much Wolf symbolism ended up around Hitler could their desire to kill the 'Austrian' be connected?

In any event the emerging image of this society remains unpleasant, with all this talk of poisoned offers and death being better than joining it.
 
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The secret wars that mortals know nothing about...

It occurs to me that supernatural creatures of the night would make good spies, since they're already used to living so much of their life in the shadows.
 
Seems like Peggy is not the best sidekick, but if this guy likes her I guess she'll live. ;)
 
Vampires vs Werewolves. An organised war ala Underworld or just vampires hunting down rapid animals? Given how much Wolf symbolism ended up around Hitler could their desire to kill the 'Austrian' be connected?

In any event the emerging image of this society remains unpleasant, with all this talk of poisoned offers and death being better than joining it.
Thank you.

One thing I have always disliked about "secret society" fantasies - be it vampires, werewolves, aliens, magic in one form or another, or even just more mundane spying, is the extent to which they are often portrayed as being "cool". It is not so much as there being a gritty underside, I think there is always likely to be something inherently unpleasant about a society structure that has secrets (which, effectively, means lies) at their centre. So for this to seem unpleasant right off the bat ... makes me happy :)

The secret wars that mortals know nothing about...

It occurs to me that supernatural creatures of the night would make good spies, since they're already used to living so much of their life in the shadows.
It's a bit like that scene in Men In Black where J is getting rather exercised there is an alien battlecruiser in orbit, and K explains there is always something going on and the important thing is regular people do not know. Ignorance, truly, is bliss.

And yes, they would :)

Seems like Peggy is not the best sidekick, but if this guy likes her I guess she'll live. ;)
Well, she kept a calm head whilst getting clawed by a foe that would ordinarily be able to rip her apart. There's many that might do worse.


All
I have one more post to complete the Introductory section of this AAR. Hoping for a Wednesday posting at this time.
 
A nice character introduction and a good (if violent!) insight into the strange and weird world these beings inhabit.

Also 'Rupert' is giving me Buffy flashbacks. :D
 
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One thing I have always disliked about "secret society" fantasies - be it vampires, werewolves, aliens, magic in one form or another, or even just more mundane spying, is the extent to which they are often portrayed as being "cool". It is not so much as there being a gritty underside, I think there is always likely to be something inherently unpleasant about a society structure that has secrets (which, effectively, means lies) at their centre. So for this to seem unpleasant right off the bat ... makes me happy :)
Well observed. The evil (or at least unpleasantly flawed) protagonists are really more magnetic and and mesmeric than properly ‘cool’, aren’t they? Whether they are the central anti-hero protagonist who is directing the action (ie in an AAR, an avatar for the player), the evil foil against whom one is struggling, or the unpleasant but ‘necessary’ evil one employs, but has a somewhat guilty conscience about having to use. Like a state sanctioned hit man who takes out ‘bad‘ guys. Evil? Amoral? Sociopathic? Or gritty heroes doing the work required that others won’t touch but want to benefit from. It looks like we may get the full range of these unpleasant, compromised and ambiguous types! Looking forward to it.

In the narrative, another change of tack and perspective. Small jigsaw pieces beginning to build the hint of a picture. And so far it is not very nice. And promises to get worse when the worst of human industrial death and destruction really gets into gear again.
 
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The professor scene reminded me of Socrates' death. (As I recall, they had him walk around because the poison he took killed the body slowly.)

But now the tunnel scene and... well, I'll just await the next update. As others have said, there are some Call of Cthulhu vibes to this, and that tunnel scene reminds me of Pickman's Model, but... secret societies and the like? Cabals? Elvis fan clubs? No wait, scratch that last one. I'm curious how all this will fit in with the Hearts of Iron gameplay narrative.
 
A nice character introduction and a good (if violent!) insight into the strange and weird world these beings inhabit.

Also 'Rupert' is giving me Buffy flashbacks. :D
I did watch my fair of Buffy back in the day, but I confess no memory of a rupert. This may well be for me because the automatic connatations of Rupert are (a) Rupert Bear, and (b) British army slang.


Well observed. The evil (or at least unpleasantly flawed) protagonists are really more magnetic and and mesmeric than properly ‘cool’, aren’t they? Whether they are the central anti-hero protagonist who is directing the action (ie in an AAR, an avatar for the player), the evil foil against whom one is struggling, or the unpleasant but ‘necessary’ evil one employs, but has a somewhat guilty conscience about having to use. Like a state sanctioned hit man who takes out ‘bad‘ guys. Evil? Amoral? Sociopathic? Or gritty heroes doing the work required that others won’t touch but want to benefit from. It looks like we may get the full range of these unpleasant, compromised and ambiguous types! Looking forward to it.

In the narrative, another change of tack and perspective. Small jigsaw pieces beginning to build the hint of a picture. And so far it is not very nice. And promises to get worse when the worst of human industrial death and destruction really gets into gear again.
One will try :)

The professor scene reminded me of Socrates' death. (As I recall, they had him walk around because the poison he took killed the body slowly.)

But now the tunnel scene and... well, I'll just await the next update. As others have said, there are some Call of Cthulhu vibes to this, and that tunnel scene reminds me of Pickman's Model, but... secret societies and the like? Cabals? Elvis fan clubs? No wait, scratch that last one. I'm curious how all this will fit in with the Hearts of Iron gameplay narrative.
I never played Call of Cthulu, though I had a friend who did. I did play, back in the day, some Deadlands, which is very much a Wild West spirital successor to the Cthulu mythos. And very great fun in the right set of hands, but also possible of incredible depth.
 
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Prologue 5 - Storytime - Prologues at an End - & Eorhic I
Storytime - Prologues at an End

So there, my friends, we have it. Five beginnings. Enough, I think, for us to be getting on with.

What - you say you only count four? The meeting, the new King, Martin, Albert - why yes that does total four. You forget, one more thing has started. The story itself - you and your fellows sitting here, my invited audience. That too is a beginning, and when you hear the story you become a part of it.

No, do not panic. There is no need. You are safe, perfectly safe, here with me. These images that stalk your thoughts and cloud your eyes, need not concern you.

Let us consider where we go from here. A decision was made, and messages were sent.

What form did these messages take? Perhaps you imagine a bird, with words wound about its leg? Maybe a letter, written in ink or blood, in an envelope or sealed with wax - would they travel in the post or be conveyed by a special courier? Or maybe yet they would be transmitted, through cable or through the air, utilising telephony or telegraphy. Or simply spoken in person. Through all these many routes, and more, words travelled. Many messages, and each had their purpose. Some to command, some to suggest, some to obscure, some to divert, a written symphony that you, my friends, from the privilege of my company have a chance to know.

It is time, my friends. Our prologues are at an end. So please, sit back, relax, and see.

Sorry, it is I who have forgotten something. There is one last introduction to make.



Eorhic

I screw up my eyes, and my lips stretch across my teeth. Still chokes of sound are driven from me.

I must not scream. I must not … scream. I must … not … scream.

I try to block out the pain, to remember the stories of those who had suffered and survived. I hurt.

I must … not scream. I must … not cry.

I am let go, and I slump into the hay. A kick, two, and a sharp pain in my head. Blackness…

Cold, stinging water wakes me. “Eorhic, get up,” whispers Oswald, shaking me. Blinking I roll over, fumbling with my rags. It appears I have survived.

Then I realise it is still dark. “What is it?” I ask.

“Someone’s buying you.”

Just then I hear my owner’s voice, “Eorhic, get out here!”

I shuffle out of the stall, towards the yard. My owner is there talking to a tall man. The waft of air chills me, but not so much as this figure who regards me like … I shiver.

“You treat him poorly,” the man says, his words clear despite his outland accent.

“Toughening him up,” my owner says. That is what he always says.

“Wasteful,” the strange man says, and - I blink - my owner, does he gulp? “I will take him from you. Now.” He passes over a few coins. My price, I suppose. My former owner’s face looks greedy enough.

My new owner looks at me. “Come. Now.” He mounts a horse I hadn’t even noticed. I trudge behind. He glances back - perhaps to make sure I am indeed following - and clicks at his horse, which begins to walk. So do I, leaving my old owner behind.
 
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And thus the Prologue of The Thorn of the Rose is complete.

I hope to have now settled on the final Threadmark style for this AAR. Chapter One, hopefully, begins on Sunday.
 
PLOT TWIST!!!

THE MYSTERIOUS NARRATOR IS...


tenor.gif
 
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Eorhic - who, or what, is he ...? o_O
 
Definitely feels like we're going way back with this one!
 
This is a story that will be written against the backdrop of the period of WW2. Therefore in this AAR, today, I want to mark VE Day.

My mother's parents were both in their twenties when the war started. My Grandpa had flat feet, and therefore was disbarred from the military. He continued to work in London throughout the war (they, both, were Londoners), and served as an auxiliary firemand. My Granny and Grandpa courted through 1940 and 1941, quite literally during the Blitz. We have a letter from my Granny from late 1940. Those who know the history of the Blitz will know there are a few nights in November 1940 when the weather turned bad, and was the first relief for several months. Well, that little break is referenced in this letter. My grandparents married in 1942. My Grandpa died when I was only a few months old, but I remember the stories of my Granny about watching the dogfights, or ration books, and some other details that she cared to share. One of these was about my Grandpa, who with his mate (likewise unable to join up due a physical issue - one leg shorter than the other - and likewise an auxiliary firemand) attended a blaze caused by a bomb. A thing they had to do a number of times. They did what they could until the professionals arrived (as they were meant to), and the regular fireman told them there wasn't much point to what they were doing. Why not, they asked. Because they were trying to contain a fire on a gas main, and had forgotten to turn the gas off.

I don't tell it very well.

My father's parents were a little younger, just young teenagers at the start of the war. By its end my Grandad was in the Army, but never quite made it to the front line in Europe before the war came to an end. Right until Alzheimer's began to claim his mind he always sounded a bit annoyed whenever he mentioned this. But then, he had reason. He was out of the East End, and whilst I do not believe any of my family were killed in the bombings, he must have known folk who were, and would have seen his surroundings torn apart. Also his eldest brother was killed, on June 7th 1944, in Normandy (iirc). My Nana helped out at a hospital, and when my brothers and cousins were somewhat older (she never told this tale when we were younger) of the terror of the doodlebugs. Her father had served in the RN in WW1, and was called back again in WW2 - mostly, I believe, in the Battle of the Atlantic. My Grandad's father was a London Docker, and that job - I believe - kept him busy through the war years.

Of course, just to be a civilian in WW2 in Europe was to be, for all intents and purposes, a veteran. The war: the bombs and shells, rockets and bullets did not care if you wore a uniform. And each had their part to play in seeing the business through.

At this late date I regret never talking to my grandmothers (one grandfather died when I was wee, another had his mind taken from us) as an adult about those times. I thought I never had the right. I knew the stories they had told us, and I was intelligent enough to know there were some less sanitised versions. With hindsight I think this was probably an incorrect conclusion on my part, but ... that chance is lost. I do remember, though, their accounts of the war ending. Of the euphoria. Typically they never talked about the harder years immediately thereafter ... all too often the after is forgotten. Though in Britain we had it easier than most, much easier in fact.

So here I want to mark and thank, in what is admittedly just a small way, a little of my family's story from those grand and terrible years. And to thank all those, military and civilian, from this land or any other, who helped see about the defeat of Fascism. And most especially, to mark those who, in words of the poet, will never get old, those whom age will not weary, and whom the years will never condemn. Let us all remember them.
 
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A touching tribute @stnylan - I had mulled writing an interlude to ARP but didn't as this week has been very busy. So, in the spirit of your perfectly pitched words:

Grandfather 1: Royal Army Medical Corps, (carrying nothing more lethal than a Dr's bag) British 1st Army, then (briefly) the Low Countries. VE Day marked, according to the family legend, running a VD clinic somewhere in Holland.

Grandfather 2: Foreign Office junior paperhanger (carrying nothing more lethal than a pen), in London having been medically discharged from the RN.

Grandmother 1: A land girl.

Grandmother 2: A schoolgirl, actually.

What I draw from this is just how immersive that war was - everyone from that time has a story to tell.

1588970383349.png
 
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Just want to say I appreciate you sharing, @stnylan :) I had a lot of family (especially on my father's side) who enlisted right after Pearl Harbor; even those who weren't old enough at the time volunteered the first chance they got. A few of them didn't make it back.

In particular, my paternal grandfather and partial namesake served as a cook aboard an LCT in the Pacific Theater; during general quarters he manned one of the Oerlikon AA guns. He passed away before I was born, but my father told me a couple stories about him, and one in particular sticks out quite vividly.

One of the operations my grandfather was involved in was the Battle of Peleliu, one of the bitterest and most hard-fought battles in the entire War in the Pacific. As fate would have it, one of his brothers was also present, a rifleman with one of the Marine battalions going ashore in the initial landings. At some point during the battle, my grandfather received word that his brother's own landing craft had been sunk with all hands.

He was devastated. The two of them had been incredibly close while they were growing up, and losing one of his own like that just tore him up inside. Still, he had a duty to those still living -- all of whom were beloved brothers, fathers, or sons to somebody themselves -- so he kept going, because what other options did he have?

Some time later, after the landing zone had been secured, my grandfather was on the beach helping offload equipment and supplies when he happened to spy a familiar face among one of the Marine work details -- none other than his supposedly deceased brother. For a brief moment he was utterly gobsmacked, eyes bulging and mouth hanging open like a freshly landed fish.

When he finally recovered his composure enough to speak, the first words out of his mouth were: "I thought you were dead!"

As it turns out, someone had misidentified one of the other landing craft in the operation as my great-uncle's. He didn't exactly have a cakewalk himself -- again, Peleliu was one of the most brutal amphibious assaults of the war -- but somehow he had come out of his own trial by fire unscathed.

World War II was one of the most harrowing and destructive conflicts in living memory, and there's scarcely anyone on the planet who wasn't touched by it in some way. I'm grateful to all those who did their part -- in the thick of battle, in the factories and shipyards, or even in the vital administrative and organizational roles far from the sound of the guns -- to help bring down the tyrannical regimes that dominated and brutalized countless millions and would undoubtedly have gone on to do the same to countless more had they not been stopped.
 
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Back when I was in my late teens, and my family was staying with my grandparents, I was out walking our family dog around their neighborhood. He was a Saint Bernard, so needless to say he got a bit of attention. One of my grandparents' neighbors, an elderly man, came out to pet the dog. We started talking, and I came to find out he had fought in Anzio with the American army in World War II. He talked at length about his time there. It included a moment where he thinks he saw Churchill: he couldn't confirm it, but he remembers a boat driving by in the distance, on top of which was a portly fellow smoking a cigar, wearing a bowler hat, and giving a "V for Victory" hand sign to the troops on the shore.

That moment always stuck with me. He's probably passed on by now, but those moments of his life are in my mind, and the affects of his battle and time at war will live on in the course of history. May God bless and keep those veterans of the war who are still among us.
 
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I did watch my fair of Buffy back in the day, but I confess no memory of a rupert. This may well be for me because the automatic connatations of Rupert are (a) Rupert Bear, and (b) British army slang.
Eh? He was one of the main characters, the Watcher dude who taught Buffy.
 
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As for war stories, my grandparents were not old either of them during the war. My grandfather on the father's side was a schoolboy - he actually wrote a small account of his experiences during the war only a few weeks ago; much appriciated by us all. My grandfather on the mother's side died almost 30 years ago, but I know he was too young to fight during the war, but was sent to Germany as peacekeeper shortly after the war was over. He told his family about a peasant boy he served with. In the rural areas this boy came from, even in the darkest times they at least had potatoes. So when he came to Germany and there wasn't even potatoes, he was speechless.
 
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