Fb-fb:
![Wink ;) ;)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
To all - I was quite happy to get to this post above with Richard in Ireland because I'd been tinkering with it for awhile as I wrote it and considered a lot of the rest of this work. As suggested, the scene was entirely based on real life - this exactly happened. I added a few notes to it, but the poor messenger was relieved of his head. As a message in reply. It made me start thinking about how some of these actions taken during this time are similar to how the mafia acts in our more recent history. I don't mind saying that this "thought" started coming out in the writing. These Lords...they are mafia Dons, really. They may look different, speak differently, have different special customs, but in their actions they kill and extort as much as any mob boss.
I should also add that in the depiction of Richard above, I was thinking about LBJ and how persuasive he could be. That is not entirely York's strong suit, but he is going to need to learn how to "Win Friends and Influence People." Sadly for him, that book wasn't out yet.![Wink ;) ;)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
By this point I don't think it is spoiler to say that this is true.Well, there's no coming back from that one. Richard is a traitor rallying Ireland to his rule.
This only ends with him on the throne or his head on London Bridge.
Devious manipulation, to be sure. Yet as said, she is not entirely wrong in her points. My favorite part was when she admonished Somerset that she already had a husband, she didn't need another.“Faster than a speeding bullet“He’s back!
She has a point. His compass swings wildly between two poles.
A moment of genuine self-awareness? Or devious manipulation? One can never quite tell with Margaret, though one expects the latter.
Again, true enough. She’s in pretty good form here.
I've hit a part in the writing that I've been waiting for - always in the distance and now finally here. It's exciting.So I see! Glad the muse once again sits by your shoulder.
I think that you will find that a lot of these characters have rather hit against the end of their rope. Be it Margaret, Richard, Henry or anyone else. This "faffing about" as has been suggested is done. It is kill or be killed now.Oh, for a second I thought that was a description of young Henry Somerset - or at least a part of him!“Ooh, matron!”
A pretty harsh one, but clear enough! Dies cast, Rubicons finally crossed, etc.
See below for more on this, but he wished a strong message (and this is exactly what happened IRL.)York has a peculiar way to send his messages.
Indeed, no middle ground. There are those that might wish to stay on the sidelines and/or pick and choose, but our major players have placed down their cards. It's win or go home.Ireland has declared for York. There's no going back now. Either Margaret or York will emerge the victor - there's no middle ground.
To all - I was quite happy to get to this post above with Richard in Ireland because I'd been tinkering with it for awhile as I wrote it and considered a lot of the rest of this work. As suggested, the scene was entirely based on real life - this exactly happened. I added a few notes to it, but the poor messenger was relieved of his head. As a message in reply. It made me start thinking about how some of these actions taken during this time are similar to how the mafia acts in our more recent history. I don't mind saying that this "thought" started coming out in the writing. These Lords...they are mafia Dons, really. They may look different, speak differently, have different special customs, but in their actions they kill and extort as much as any mob boss.
I should also add that in the depiction of Richard above, I was thinking about LBJ and how persuasive he could be. That is not entirely York's strong suit, but he is going to need to learn how to "Win Friends and Influence People." Sadly for him, that book wasn't out yet.
- 1
- 1